Shakespeare wrote of them but this one tends to top most popular lists, mainly due to the opening line which every romantic knows off by heart. But there is much more to this line than meets the eye, as you'll find out later in the analysis. And please be aware that not every line of every Shakespeare sonnet is written in pure iambic pentameter - a mistake made by many a supposed authority.
Let me not to the marriage of true minds Let me not declare any reasons why two Admit impediments. Love is not love True-minded people should not be married. Love is not love Which alters when it alteration finds, Which changes when it finds a change in circumstances, Or bends with the remover to remove: Or bends from its firm stand even when a lover is unfaithful: Whose value cannot be calculated, although its altitude can be measured.
Comes within the compass of his sickle. Love alters not with his brief hours and weeks, Love does not alter with hours and weeks, But bears it out even to the edge of doom. But, rather, it endures until the last day of life. If this be error and upon me proved, If I am proved wrong about these thoughts on love I never writ, nor no man ever loved.
Then I recant all that I have written, and no man has ever [truly] loved.
Tucker explains that the first two lines are a "manifest allusion to the words of the Marriage Service: The subject here is still the north star.
Note the comparison of Time to the Grim Reaper, the scythe-wielding personification of death. Compare 1 Henry IV 4. Come, let us take a muster speedily: Doomsday is near; die all, die merrily. The poet praises the glories of lovers who have come to each other freely, and enter into a relationship based on trust and understanding.
In linesthe poet claims that we may be able to measure love to some degree, but this does not mean we fully understand it. In the final couplet, the poet declares that, if he is mistaken about the constant, unmovable nature of perfect love, then he must take back all his writings on love, truth, and faith.
Moreover, he adds that, if he has in fact judged love inappropriately, no man has ever really loved, in the ideal sense that the poet professes. There is nothing recondite, exotic, or metaphysical in the thought. There are three run-on lines, one pair of double-endings.
There is nothing to remark about the rhyming except the happy blending of open and closed vowels, and of liquids, nasals, and stops; nothing to say about the harmony except to point out how the fluttering accents in the quatrains give place in the couplet to the emphatic march of the almost unrelieved iambic feet.
In short, the poet has employed one hundred and ten of the simplest words in the language and the two simplest rhyme-schemes to produce a poem which has about it no strangeness whatever except the strangeness of perfection.
The Tension of the Lyre.Summary and Full Analysis of Sonnet 18 by William Shakespeare.
Updated on September 11, Andrew Spacey. all aspects of poetry and writes extensively on the subject. His poems are published online and in print. Contact Author. William Shakespeare and Sonnet Life is not an easy passage through Time for most, if not all people. Flowers and trees appear throughout the sonnets to illustrate the passage of time, the transience of life, the aging process, and beauty.
Rich, lush foliage symbolizes youth, whereas barren trees symbolize old age and death, often in the same poem, as in Sonnet ‘Sonnet LX’ was written by William Shakespeare.
It is a poem which focuses around the inexorable passage of time and how time affects human life in its different stages.
Throughout the poem, we find the arguments within the three quatrains are linked. Additionally, the sonnet gathers the themes of Sonnets 5, 6, and 7 in a restatement of the idea of using procreation to defeat time.
Sonnet 12 establishes a parallel way of measuring the passage of time, the passage of nature, and the passage of youth through life — decay. A reading of a Shakespeare sonnet ‘As an unperfect actor on the stage’, the opening line of Shakespeare’s Sonnet 23, introduces one of Shakespeare’s favourite analogies – the theatrical metaphor – into the Sonnets.
But the rest of the poem uses a range of comparisons and images. Summary Sonnet 10 repeats and extends the argument of Sonnet 9, with the added suggestion that the youth really loves no one.
Clearly, the poet does not serious.